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The Photographer's Eye
087070527X
  • Company: The Museum of Modern Art, New York 
  • ISBN: 087070527X
  • List Price: $24.95
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The Photographer's Eye by John Szarkowski is a twentieth-century classic--an indispensable introduction to the visual language of photography. Based on a landmark exhibition at The Museum of Modern Art in 1964, and originally published in 1966, the book has long been out of print. It is now available again to a new generation of photographers and lovers of photography in this duotone printing that closely follows the original. Szarkowski's compact text eloquently complements skillfully selected and sequenced groupings of 172 photographs drawn from the entire history and range of the medium. Celebrated works by such masters as Cartier-Bresson, Evans, Steichen, Strand, and Weston are juxtaposed with vernacular documents and even amateur snapshots to analyze the fundamental challenges and opportunities that all photographers have faced. Szarkowski, the legendary curator who worked at the Museum from 1962 to 1991, has published many influential books. But none more radically and succinctly demonstrates why--as U.S. News & World Report put it in 1990--"whether Americans know it or not," his thinking about photography "has become our thinking about photography."



 
Calder Jewelry
0300134282
  • Company: Yale University Press 
  • ISBN: 0300134282
  • List Price: $65.00
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Reinventing the Museum, Historical and Contemporary Perspectives on the Paradigm Shift
0759101701
  • Company: AltaMira Press 
  • ISBN: 0759101701
  • List Price: $36.95
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Reinventing the Museum gathers 35 seminal articles reflecting over 100 years of dialogue within the musem community about what it means to be a high-quality, relevant institution. Important reading for museum professionals, students, and anyone interested in museums and their development.



 
Richard Avedon: Photographs 1946-2004
8791607493
  • Company: Louisiana Museum Of Modern Art 
  • ISBN: 8791607493
  • List Price: $70.00
  • Amazon Price: $44.10
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In August of 2007, Denmark's renowned Louisiana Museum of Modern Art presented Richard Avedon: Photographs 1946-2004, the first major retrospective devoted to Avedon's work since his death in 2004. (With stops in Milan, Paris, Berlin and, Amsterdam, the highly-anticipated exhibition concludes in at San Francisco's Museum of Modern Art in October of 2009.) This beautifully produced catalogue, designed by the renowned Danish graphic designer Michael Jensen, features deluxe tritone printing and varnish on premium paper, and includes 125 reproductions of Avedon's greatest work from across the entire range of his oeuvre--including fashion photographs, reportage and portraits, and spanning from his early Italian subjects of the 1940s to his 2004 portrait of the Icelandic pop star, Bjork. It also contains a small number of color images--including one of the most famous photographic portraits of the twentieth century, "Nastassja Kinski and the Serpent" (1981). Texts by Jeffrey Fraenkel, Judith Thurman, Geoff Dyer, Christoph Ribbat, Rune Gade and curator Helle Crenzien offer the most sophisticated and thorough composite view of Avedon's work to date. All color separations byRobert Hennessey.



 
Museum Administration: An Introduction (American Association for State and Local History Book Series)
0759102945
  • Company: AltaMira Press 
  • ISBN: 0759102945
  • List Price: $31.95
  • Amazon Price: $28.00
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Museum Administration is the handbook for students, new professionals, and anyone who needs to know what goes into running a museum. The authors cover everything from basic organization to human resource management, with case studies and exercises to help reinforce the text. Includes an extensive bibliography and appendices. Visit our website for sample chapters!



 
Frida Kahlo
0935640886
  • Company: Walker Art Center 
  • ISBN: 0935640886
  • List Price: $49.95
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Few artists have captured the public's imagination with the force of Mexican painter Frida Kahlo. During her lifetime, she was best known as the flamboyant wife of celebrated muralist Diego Rivera. Theirs was a tumultuous relationship: Rivera declared himself to be "unfit for fidelity." As if to assuage her pain, Kahlo recorded the vicissitudes of her marriage in paint. She also recorded the misery of her deteriorating health--the orthopedic corsets that she was forced to wear, the numerous spinal surgeries, the miscarriages and therapeutic abortions. The artist's sometimes harrowing imagery is mitigated by an intentional primitivism and small scale, as well as by her sardonic humor and extraordinary imagination. In celebration of the one-hundredth anniversary of Kahlo's birth, this major new monograph is published on the occasion of the 2007-08 traveling exhibition. It features the artist's most renowned work--the hauntingly seductive and often brutal self-portraits--as well as a selection of key portraits and still lifes; more than 100 color plates, from Kahlo's earliest works, made in 1926, to her last, in 1954; critical essays by Elizabeth Carpenter, Hayden Herrera and Victor Zamudio-Taylor; and a selection of photographs of Kahlo and Rivera by preeminent photographers of the period, including Manuel Alvarez Bravo, Lola Alvarez Bravo, Gisele Freund, Tina Modotti and Nickolas Muray. The catalogue also contains snapshots from the artist's own photo albums of Kahlo with family and friends such as Andre Breton and Leon Trotsky--some of which have never been published, and several of which Kahlo inscribed with dedications, effaced with self-deprecating marks or kissed with a lipstick trace--plus an extensive illustrated timeline, selected bibliography, exhibition history and index.



 
7000 Years of Jewelry: An International History and Illustrated Survey from the Collections of the British Museum
1554073952
  • Company: Firefly Books 
  • ISBN: 1554073952
  • List Price: $29.95
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The most comprehensive and beautifully illustrated history of jewelry. The previous edition of this exhaustive survey was published to critical acclaim by the British Museum Press. Since publication, the museum has expanded its collection, with major acquisitions of pieces from Europe and Asia. The new edition includes a complete revision of the section on Europe after 1700, plus revisions to the sections on Celtic Europe, Roman Britain, cameos and finger rings. The book explores the varied styles, techniques and materials used to make jewelry in many civilizations throughout the world and across the millennia. Egyptian necklaces, Celtic torcs, South American gold masks, Renaissance pendants and Art Nouveau buckles are examples of the range of the masterpieces described and illustrated with 400 superb photographs. 7000 Years of Jewelry takes readers on an impressive tour that includes, among other times and places: The Middle East: 5000-2000 BC Egypt: 1500-900 BC Phoenician, Greek, Etruscan and Persian Lands: 850-325 BC China, Celtic Europe, Mexico and Peru: 600 BC-AD 600 The Mediterranean, India, Egypt, Roman Britain and Byzantium: 325 BC-AD 600 Europe, China, Korea and Japan: 300-1000 Mayan Central America: 600-1000 Central and South America: 500-1500 Europe, Islam, China, Korea and Java: 1000-1500 China, India, Tibet and Mongolia: 1500-1850 West Africa: 1500-1800 Europe: 1500-1950. More comprehensive than before, this reference remains the finest and most beautifully illustrated history of jewelry ever published.



 
Buckminster Fuller: Starting with the Universe (Whitney Museum of American Art Book)
0300126204
  • Company: Yale University Press 
  • ISBN: 0300126204
  • List Price: $50.00
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From his geodesic dome to books popularizing the terms “spaceship earth” and “synergetics,” the life mission of R. Buckminster Fuller (1895–1983) was to create living environments that minimized consumption of the earth’s resources while maximizing interconnections with global systems of information and transportation. This book explores Fuller's extraordinary body of work focusing on his wide-ranging and sometimes controversial role within the worlds of art, architecture, and utopian thought. The book chronicles Fuller’s profound, often prophetic contributions, including his environmentally sensitive building designs. The essays illuminate the underappreciated thematic interactions of many sculptors, painters, musicians, and architects with this self-described “comprehensive anticipatory design scientist,” including contemporary artists wrestling with Fuller’s legacy today. Reproductions of original drawings and models—including those for Fuller’s 4D house, Wichita House, the Montreal Expo dome, and the sole extant Dymaxion car—plus a reprinted 1966 New Yorker profile on Fuller by Calvin Tomkins, complete the fascinating tribute.



 
Who Owns Antiquity?: Museums and the Battle over Our Ancient Heritage
0691137129
  • Company: Princeton University Press 
  • ISBN: 0691137129
  • List Price: $24.95
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Whether antiquities should be returned to the countries where they were found is one of the most urgent and controversial issues in the art world today, and it has pitted museums, private collectors, and dealers against source countries, archaeologists, and academics. Maintaining that the acquisition of undocumented antiquities by museums encourages the looting of archaeological sites, countries such as Italy, Greece, Egypt, Turkey, and China have claimed ancient artifacts as state property, called for their return from museums around the world, and passed laws against their future export. But in Who Owns Antiquity?, one of the world's leading museum directors vigorously challenges this nationalistic position, arguing that it is damaging and often disingenuous. "Antiquities," James Cuno argues, "are the cultural property of all humankind," "evidence of the world's ancient past and not that of a particular modern nation. They comprise antiquity, and antiquity knows no borders." Cuno argues that nationalistic retention and reclamation policies impede common access to this common heritage and encourage a dubious and dangerous politicization of antiquities--and of culture itself. Antiquities need to be protected from looting but also from nationalistic identity politics. To do this, Cuno calls for measures to broaden rather than restrict international access to antiquities. He advocates restoration of the system under which source countries would share newly discovered artifacts in exchange for archaeological help, and he argues that museums should again be allowed reasonable ways to acquire undocumented antiquities. The first extended defense of the side of museums in the struggle over antiquities, Who Owns Antiquity? is sure to be as important as it is controversial.



 
Superheroes: Fashion and Fantasy (Metropolitan Museum of Art Publications)
0300136706
  • Company: Metropolitan Museum of Art 
  • ISBN: 0300136706
  • List Price: $50.00
  • Amazon Price: $31.50
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From Wonder Woman’s satin stars and golden bracelets to Batman’s brooding cape and mask, the style of superheroes’ dress has influenced both street wear and high fashion. This richly illustrated book explores how radical couture, avant-garde sportswear, and state-of-the-art military garments—as seen through the lens of the superhero—can be metaphors for sex, power, and politics. Beginning with the origins of the superhero costume, this volume looks at how designers have been influenced by iconographic components such as the cape, mask, boots, and unitard. Costumes, such as those worn by Batman and Catwoman, are examined as reflections of sexual and physical prowess, while others, most notably those of Superman and Captain America, are analyzed as political propaganda. Superheroes also explores superpowers and their manifestations––literal, symbolic, or metaphorical: Flash’s speed, Iron Man’s invulnerability, Hulk’s strength, and Spiderman’s agility are presented in their fantastical evocations. Featured designers include Pierre Cardin, John Galliano, Azzedine Alaia, Giorgio Armani, Hussein Chalayan, Alexander McQueen, Nicolas Ghesquiere, Jean Paul Gaultier, Comme des Garçons, and Walter van Beirendonck.



 


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